Yesterday I had the pleasure of giving a 4 hour demo at Blick Art Materials in Kabsas City! Here are some progress shots with some thoughts on my process.
My palette is a semi-organized thing. I lay out my colors separating cool from warm, progressing through the hues of the rainbow and from light to dark.
I mix across the palette to create lower chroma flesh tones.
After making a basic sketch in charcoal, I started by laying in a background color, against which I can judge all subsequent mixtures.
Next I blocked in the darkest shapes, simplifying everything to one basic tone on the shadow side of her face.
On the light side I included more variety in hue than I did on the shadow side, and started to add in smaller shapes like the eyes. This looked pretty weird with no mouth included!
Once everything was basically blocked in, I started to include more accurate plane shifts, varying tones in more subtle mixtures. I simultaneously adjusted the drawing as I went along.
The eyes and nostrils were of the last parts to be clarified in the painting, because they are the smallest parts of the face. I wanted to be sure of the overall placement before including such small details.
The finished sketch, after a little more work on the hair and clothing. :-)
Here is a time-lapse video demonstration of a life study in oil, complete with a narration describing the process.
This was a quick watercolor demo that I did for my beginning drawing and watercolor students. It shows how to approach painting a tree, a complex subject, in watercolor.
First, I did a rough sketch on the paper and laid in a very light blue wash, which is not very visible in this photo.
Next I covered all of the tree and grass with a yellow wash, leaving room for some negative spaces in the tree where the sky will show through. My reason for using a yellow is this: Highlights on the leaves can be yellow, and all of the lights and shadows can contain yellow because tree leaves are green. Using yellow on this layer will allow me to use negative shapes to complete the painting, so that I will be filling in the spaces between leaves rather than painting individual leaves.
Next I laid in a shadow color that is kind of a cool brown. Note that I moved very quickly with this demo, and simply wiggled my brush around to create a leafy effect. I also included a few branch type shapes.
Now for the color! I started with a very yellow green, again wiggling my brush to create an effect. I left plenty of yellow spaces for highligjhted leaves, knowing I can come back later to make the yellow areas smaller if needed. After using the yellow-green color, I made a slightly darker, slightly bluer green for a sort of 'half tone' between the yellow-green and the shadows. You can see a little of it on the left side.
Here is where I stopped my demo. I left the right hand side unfinished so that my students could see the different colors of the layers. To 'finish' the left side, I continued with the green-blue half tone, added some bluer hues in the shadow for variety, and also added a slightly darker blue just on top for the sky. This is a little more realistic (daytime clear skies tend to be bluer at the top and more pale toward the horizon) but also helps the tree appear to come forward.
Another Beginning Drawing and Intro to Watercolors class will start Wednesday nights at Tomahawk Ridge Community Center in Overland Park on September 10th. Follow this link for more info: http://www.opkansas.org/things-to-see-and-do/classes-programs-and-leagues/adult-painting-classes/